Carrier Commando

Putrid darkness surrounds me.

Where is the exit?

How long until we’re out?

Rather than dwelling on these questions, I move on.

Nao, pushing forth from behind me, does not seem to be phased by the stench of human excrement combined with restaurant waste and who knows what else in the blackness of this Saigon Sewer.

How is he not sick too?

My stomach wretches as I push forward.

This ends soon.

Keep pushing through.

The weight of more than 25kg of explosives on my back helps keep my stomach in check.

Crawling my way through the blackened liquid in the dark on this humid May night, I can make out a change in the shade of darkness ahead.

Pausing for a moment to let my eyes adjust, I feel Nao push my foot from behind.

Maybe that’s it!

He pushes again.

I start toward to deep gray circle ahead.

Yes, an end to the sewer!

We will be able to breath again!

Turning my head around, I whisper “I see the exit” just loud enough for Nao to hear me.

He taps my foot twice as I turn again to keep going forward.

Slipping down the end of the sewer pipe, into Saigon Harbor, my eyes need time to adjust.

Nao slips down behind me, the heavy pack on his back brushing me as he quietly half-submerges his body in the harbor waters.

Just meters ahead I can see our target, the aircraft carrier the Americans audaciously docked here to deliver aircraft to the puppet regime.

This harbor air smells and tastes so good!

Without acknowledging the change in air intake, Nao puts on his snorkel just before diving under the water toward the carrier.

Pulling my snorkel out of my pack, I put it on just in time to follow him by just a meter.

This water feels so good as compared to whatever was in that sewer.

Oily, filled with debris and algae, this water surrounds me with a fresh clean feeling of liberation.

Near the aft of the ship, Nao dives deeper.

I take a deep breadth before following him down.

No sense being seen this close to getting the job done.

He swims another fifteen meters alongside the curving hull of the ship, staying below the water line.

I follow him, making sure not to get too close while not losing him in the wet dark shadow of this massive metal monster.

Nao stops swimming, rising to surface under the bilge outlet flow.

I rise next to him, pointing to the hole out of which the bilge is being pumped.

We should place a bomb there.

He nods his head in silence, assenting to my idea.

Aligning my body with the curve of the hull, I put out my arms so Nao can mount my shoulders.

He deftly ascends the side of the ship, using me as a base from which to leverage his body against its hull, rising arm over arm until he’s in-line with the bilge outlet.

Once next to it, he places three American made plastic explosive charges securely against the metal skin of the ship in a triangle formation.

That should make a pretty big hole.

Connecting wires to each explosive, he pulls the lines down as he descends his body toward the water.

When Nao is back in the water, I take the other three explosives out of my pack.

He turns to look at me, at the explosives, then at the hull of the ship.

When he turns back I see a smile on his face.

Handing him the explosives, he turns again toward the ship.

He places them in a second triangle, just above the water-line, directly below the first set.

While he’s placing them, I get the wires and timer out of my pack.

He turns toward me again, pulling the lines from my hands without a word.

I smile.

This will make a huge hole! We’re going to sink this beast!

Nao connects the wires from both triangles of explosives to the timer, before diving under the water.

What’s he doing down there?

He comes back up, holding a handful of slimy mud from the bottom of the harbor.

Packing it with his hands, he then places it on the back of the timer, before attaching the timer to the hull of the ship.

Ingenious!

An empty pack on my back, a settled stomach, and a mission set-up, I turn to go back under the water and return to the putrid stench of the sewer.

Nao puts his hand on my shoulder, pushing to turn me back around again.

What did I miss?

As I turn toward him, I see him pointing to the timer, it’s not set.

Oh!

I look him in the eyes, smile, and move toward the timer.

Of course, what would the point of any of this be if we did not set the timer?

Placing both hands on the device, I turn the electrostatic nob halfway, which should give us ten minutes to get back into the sewer, and far enough way to escape the blast and any search party sent to find us.

Nao’s hand pulls on my shoulder again.

I turn to see him already heading back under the water toward the sewer.

I’m not staying here!

Diving silently into the water, I follow Nao to the sewer entrance.

May this drive the Americans to make a different choice than the French.

Get out!

On the night of May 2, 1964 two members of the National Liberation Front (NLF, aslo known as Viet Cong by Americans stationed in Vietnam) crawled out of a sewer in Saigon harbor near the United States Naval Ship (USNS) Card, an escort carrier from World War II which had been used for three years to transport aircraft and trained crews to South Vietnam. The NLF fighters planted American made explosives on the USNS Card before slipping back into the sewer from which they had entered the harbor. A few minutes later the explosives ripped a giant hole in the hull of the carrier, sending it to the bottom of Saigon harbor. This attack disabled the ship for less than 20 days, at which point it was repaired enough to be sent to facilities in the Philippines and Japan where it was rebuilt. The attack was not reported widely in the United States, but was a propaganda coup for the NLF, showing they could strike at a massive piece of American military equipment. This kind of attack was replicated in 2000 when the U.S.S. Cole was attacked in Aden harbor with explosives by Al Qaeda. At least in that attack, the explosives themselves were not of American origin. In war, bribery and corruption of your own, or allied personnel, may leave you vulnerable to your own weapons. Especially, when you’re not supposed to be there in the first place.


Desert

Voice work by Sara Raz.

Voice work by Sara Raz.

 

There he is again, slithering directly behind me.

 This soldier won’t leave me alone.

 I scurry a little faster, hoping to lose him in the crowded street, but he keeps up, maintaining an uncomfortable distance.

 I just want to get home.

 His eyes, dark under the pulled down military cap, stare intently at me when I glance back to see if he’s still there.

 Seek help from a stranger, that is the only answer.

 Reaching out to the first man I see, I plead “Monsieur,can you please help, this soldier is following me.”

 Looking up, surprised from the distractions of his ground-focused attention learned through years of NAZI occupation, the gentleman is a bit startled.

 The soldier comes closer.

 He’s not keeping his distance any longer.

 “What is the problem, madame?” the gentleman says, just as the soldier sidles up to tower over him.

 “Move along buddy” the soldier says, “my girlfriend and I are having a lover’s chase, if you know what I mean.”

 “This soldier is not my boyfriend” I exclaim with all authority.

 The gentleman is dazed, confused, and clearly wants to get somewhere away from this soldier.

 Shoving the gentleman on, the soldier turns to me, his back to the other man.

 “Look here sweetheart, we’re going to resolve this.” He says as he grabs my hand.

 “LET GO OF ME!” I scream.

 The gentleman stands there, stunned.

 “Come with me Lucille!” the soldier projects loud enough for all to hear.

 A crowd begins to gather around. The gentleman is still standing there, not knowing what to do.

 “My name is not Lucille. I will not go with you. I don’t know you. Let go of me!” I demand.

 Yes, a lot of noise, a crowd, attention. The last things he wants!

 The soldier lets go of my hand as he turns to the crowd.

 “Fine, have it your way honey. I’ll see you at home.” He says as a parting blow to my status among the strangers in the crowd.

 It worked, I am free of this monster.

 “I do not know him.” I plead as the crowd dissipates with knowing expressions.

 How dare he besmirch me near my home, this Cretan!

 Scurrying home,I turn on several wrong streets to make sure the soldier is not following me.

 I can’t have him know where I live.

 Finally turning onto my street, I see my building entrance in the distance.

 Home, safety, freedom.

 Making my way toward the entrance, I look around me.

 The soldier is nowhere to be seen.

 I walk through the outer gate, entering the front courtyard of the building.

 As I approach the front door, I look around again.

 I’m not opening this door until I know I’m safe.

 No one is around. I am alone.

 I reach into my purse, clasping the key to the door in my right hand.

 Looking up at the lock, a shadow breaks over mine on the door.

 NO!

 Swiveling around, I am prepared. The key to the door is locked between my forefinger and my middle finger.

 It’s not much, but it would hurt if jabbed in the eye in a quick thrust.

 Thrusting my arm, I see whose shadow it is.

 “Good evening Monsieur Horbac” I say in a startled voice as I let my hand fall to my waist.

 Thank god!

 “Allow me to get the door, Madame.” The kindly old gentleman says to me as he reaches up.

 How did he surprise me?

 We enter the building, Monsieur Horbac heading to the elevator, and me to the stairs.

 “Good evening Monsieur Horbac” I offer as I start up the staircase and he enters the open elevator.

 I’m almost home.

 My right foot just touches the first stair as the door behind the entrance to the staircase closes with a loud slam, and I hear “Hello again Lucille.”

 

  

Following the liberation of Paris in August 1944, the fighting units of the Allied armies pushed on through Eastern France toward Germany. Some of the soldiers from these armies decided to make their way back to the City of Lights, rather than fight on the front. For most, this was a chance to get out of the fighting, keep a low profile, and simply sit out the remainder of the war. For others, this was a chance to take advantage of the military uniform to steal, assault, rape and murder without compunction. Paris and other liberated cities were hit by a wave of violence and crime not often discussed after the war. Up to 50,000 American and 100,000 British soldiers deserted their units during World War II. Between June 1944 and April 1945 the US Army investigated over 7,900 cases of criminal activity. Forty-four percent of these were violence, including rape, manslaughter and murder. Eventually, law and order were restored in the liberated cities of Europe, but it took to the end of the war, and the reintroduction of strong civilian police authorities, to make this happen.

 

The Deserters: A Hidden History of World War II by Charles Glass was the source of information for this story.

Treat

We step down into the dark room, letting our eyes adjust from the bright early afternoon sun shining through the clouds outside.

 

Just a small bar with a simple tap and a few stools, this pub is perfect.

 

“A pint for me and my pal here” Florian calls out to the keep.

 

Oh, he may not know.

 

I pull out my wallet just as he’s pulling out his.

 

“I’ll pay for mine.” I shutter in an undertone of covert immediate action.

 

“Put that away, You’re money is no good here.” Florian announces back, without any sense of propriety.

 

How could he not know?

 

Heads start turning our way.

 

“You’ve been away too long, let’s at least pay our own.” I reply, hoping to make this about holding my own.

 

He won’t have any of it. “Please, I can’t let you pay for yourself when I’m flush with cash I can’t spend at the front.” He blurts out, too loud.

 

Luckily, the barkeep, who is now standing with two pints of beer directly before us, simply states, “Sorry laddy, but the Queen won’t let you treat now. Each of you will have to pay your own way for these.”

 

Thank you, that saved me!

 

Florian looks at him, then looks at me.

 

“What are you talking about?”

 

The barkeep, in simple words, answers back, “New law, meant to keep folks from blurting out secrets.”

 

Florian simply stands still for a moment.

 

Here’s my chance.

 

I take a bill out of my wallet and place it on the counter.

 

The Barkeep then turns to me to ask, “Want change?”

 

Of course I want change!

 

“Yes, please.” I say as Florian pulls a bill out of his wallet as well.

 

“Want change?” the barkeep asks Florian.

 

“No thank you!” he says, while looking at me.

 

Ok, so you bettered me again. Fine.

 

Drink your beer you bastard.” I laugh out as I bring the pint to my lips.

 

 

 

 

 

 

 

On August 8, 1914 the British Parliament passed the Defense of the Realm Act (DORA). This law greatly increased the powers of the government for the duration of the war, giving broad powers of requisition of property, censorship, and social control mechanisms aimed at winning the war. Among the laws provisions were a ban on flying kites, starting bonfires, buying binoculars, feeding wild animals bread, discussing any kind of military matters, buying alcohol on public transport, and most controversial, making it illegal for anyone to treat anyone else to alcohol at a pub. These measures were put in place in the belief that if people were not allowed to get others drunk, then no one would spill the national security secrets they possessed. People who broke the law with intent could be put to death. Britain was not alone in this law, as Canada passed the War Measures Act and the Emergencies Act as well. The United States passed the Sedition Act, and the Espionage Act, although these did not ban anyone from treating anyone else to a beer at a pub. Most of these laws were lightened up after the end of the war.

 

When World War II broke out these kind of laws came back. In Britain the Emergency Powers Act and the Treachery Act. Neither of which banned treating someone else to a beer.